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	<title>Comments on: What is the difference between a $149 cover design and one that costs $1500?</title>
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	<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/</link>
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		<title>By: Kat Gautreaux</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-39030</link>
		<dc:creator>Kat Gautreaux</dc:creator>
		<pubDate>Mon, 29 Dec 2008 17:36:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-39030</guid>
		<description>One of the key things with cover design, no matter how much it costs, is to understand good design, and to be able to communicate effectively with your designer. That way they know what you want and it will take less time and you&#039;ll be happier with the result.

Recently I had an author request a design concept for their book that I knew would be a tough sell online. After talking to them a bit about the design issues they had created with their request, we finally came to a compromise about what the cover should look like and what it should be able to do for them.

Here&#039;s what a book cover should do:
1. Be readable on online retailers sites. If you can&#039;t read your main title at 15% reduced magnification, you won&#039;t be able to read it online.

2. The image should convey the theme of your book. Your readers won&#039;t see symbolism in your shoes as a link to your depression unless they&#039;ve read your book. Stick to archetypes at first. It makes it easier. If your book is about money, include an archetype about finances. Not a mountain.

3. Most readers in the world read left to right. It&#039;s pretty important to not put the most important &quot;information&quot; closest to the spine -- in general.

4. Your cover should sell your book. Look at some of the best-sellers in your book&#039;s genre and their cover designs. What do you like? What don&#039;t you like? Talk about it with your designer. It&#039;s a great way to begin the creative process.</description>
		<content:encoded><![CDATA[<p>One of the key things with cover design, no matter how much it costs, is to understand good design, and to be able to communicate effectively with your designer. That way they know what you want and it will take less time and you&#8217;ll be happier with the result.</p>
<p>Recently I had an author request a design concept for their book that I knew would be a tough sell online. After talking to them a bit about the design issues they had created with their request, we finally came to a compromise about what the cover should look like and what it should be able to do for them.</p>
<p>Here&#8217;s what a book cover should do:<br />
1. Be readable on online retailers sites. If you can&#8217;t read your main title at 15% reduced magnification, you won&#8217;t be able to read it online.</p>
<p>2. The image should convey the theme of your book. Your readers won&#8217;t see symbolism in your shoes as a link to your depression unless they&#8217;ve read your book. Stick to archetypes at first. It makes it easier. If your book is about money, include an archetype about finances. Not a mountain.</p>
<p>3. Most readers in the world read left to right. It&#8217;s pretty important to not put the most important &#8220;information&#8221; closest to the spine &#8212; in general.</p>
<p>4. Your cover should sell your book. Look at some of the best-sellers in your book&#8217;s genre and their cover designs. What do you like? What don&#8217;t you like? Talk about it with your designer. It&#8217;s a great way to begin the creative process.</p>
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		<title>By: George Foster</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-37654</link>
		<dc:creator>George Foster</dc:creator>
		<pubDate>Thu, 04 Dec 2008 04:19:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-37654</guid>
		<description>Doug, the difference is experience and specialization. Does a designer bring more to the table than just their time? Find one who does and you&#039;ll reap the return on your investment for years. Many trade vendors are not sensitive to cover design but reviewers, distributors, and wholesale buyers routinely accept or reject books by simply looking at the cover for a few seconds. Competition is too intense to skimp on your cover. Publishers who prosper know that to succeed, a book must do more than simply exist. It must sell, and the cornerstone is the cover. As a career book cover designer, I am compelled to respectfully add this comment.</description>
		<content:encoded><![CDATA[<p>Doug, the difference is experience and specialization. Does a designer bring more to the table than just their time? Find one who does and you&#8217;ll reap the return on your investment for years. Many trade vendors are not sensitive to cover design but reviewers, distributors, and wholesale buyers routinely accept or reject books by simply looking at the cover for a few seconds. Competition is too intense to skimp on your cover. Publishers who prosper know that to succeed, a book must do more than simply exist. It must sell, and the cornerstone is the cover. As a career book cover designer, I am compelled to respectfully add this comment.</p>
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		<title>By: David Burch</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-37463</link>
		<dc:creator>David Burch</dc:creator>
		<pubDate>Thu, 27 Nov 2008 19:24:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-37463</guid>
		<description>I believe that you get what you pay for and I believe in paying people for their time. A boilerplate, cookie-cutter solution looks like just that. No matter how you dress it up or demonize those fancy designers listening to their classical music.

Sure, a template-based design is just find for lots of projects, but there are also times when you&#039;d want a 2,500 custom design.

And, no I&#039;m not a designer.</description>
		<content:encoded><![CDATA[<p>I believe that you get what you pay for and I believe in paying people for their time. A boilerplate, cookie-cutter solution looks like just that. No matter how you dress it up or demonize those fancy designers listening to their classical music.</p>
<p>Sure, a template-based design is just find for lots of projects, but there are also times when you&#8217;d want a 2,500 custom design.</p>
<p>And, no I&#8217;m not a designer.</p>
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		<title>By: David Wornom</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-37328</link>
		<dc:creator>David Wornom</dc:creator>
		<pubDate>Mon, 24 Nov 2008 15:10:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-37328</guid>
		<description>Thanks for the article Ron.  Wanted to ask, I self-published a book without ISBN 3 years ago - big mistake - through our nonprofit&#039;s &quot;publishing division,&quot; IT Publications, &amp; now want to add an ISBN to the back cover.  

Is that doable?  I know how to do it for a new book, but what about an older one?  Can I retro do it?   How?

No problem.  You can buy barcode stickers to paste on the back cover of your existing book (I use PIPS).  Once you go back to reprint, you can make the changes in the printing.
Ron

txs,

David</description>
		<content:encoded><![CDATA[<p>Thanks for the article Ron.  Wanted to ask, I self-published a book without ISBN 3 years ago &#8211; big mistake &#8211; through our nonprofit&#8217;s &#8220;publishing division,&#8221; IT Publications, &amp; now want to add an ISBN to the back cover.  </p>
<p>Is that doable?  I know how to do it for a new book, but what about an older one?  Can I retro do it?   How?</p>
<p>No problem.  You can buy barcode stickers to paste on the back cover of your existing book (I use PIPS).  Once you go back to reprint, you can make the changes in the printing.<br />
Ron</p>
<p>txs,</p>
<p>David</p>
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		<title>By: Tanya</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-37215</link>
		<dc:creator>Tanya</dc:creator>
		<pubDate>Sat, 22 Nov 2008 17:56:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-37215</guid>
		<description>What it comes down to is seeing the portfolio of the designers. The difference in the dollars spent spent is whether they are capable of creating a resonance that will apeal to buyers since the cover is the first component buyers will see. Face it, we are a visual culture. It&#039;s very seldom that an author or clients who know little about creating that resonance that will attract the eye will know what is good and bad design. When you know little, you&#039;ll likely fall for anything because all you&#039;re able to see is the final package - your words in book form. It&#039;s well worth doing your research and getting to know what the designer is capable of as a creative and business person who can develop an eye-catching product in a timely fashion. The customer will only read the summary if, first, the cover appeals to them.</description>
		<content:encoded><![CDATA[<p>What it comes down to is seeing the portfolio of the designers. The difference in the dollars spent spent is whether they are capable of creating a resonance that will apeal to buyers since the cover is the first component buyers will see. Face it, we are a visual culture. It&#8217;s very seldom that an author or clients who know little about creating that resonance that will attract the eye will know what is good and bad design. When you know little, you&#8217;ll likely fall for anything because all you&#8217;re able to see is the final package &#8211; your words in book form. It&#8217;s well worth doing your research and getting to know what the designer is capable of as a creative and business person who can develop an eye-catching product in a timely fashion. The customer will only read the summary if, first, the cover appeals to them.</p>
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		<title>By: judy cullins</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-37012</link>
		<dc:creator>judy cullins</dc:creator>
		<pubDate>Thu, 20 Nov 2008 00:55:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-37012</guid>
		<description>Thanks and quite a complete article Ron. I plan to publish it in my December monthly ezine, The Book Coach Says. You covered all the bases. I&#039;m sure my subscribers will get value from it.

Judy Cullins</description>
		<content:encoded><![CDATA[<p>Thanks and quite a complete article Ron. I plan to publish it in my December monthly ezine, The Book Coach Says. You covered all the bases. I&#8217;m sure my subscribers will get value from it.</p>
<p>Judy Cullins</p>
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		<title>By: Elaine Williams</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-36927</link>
		<dc:creator>Elaine Williams</dc:creator>
		<pubDate>Tue, 18 Nov 2008 02:02:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-36927</guid>
		<description>Ron&#039;s team produced my cover and book (&quot;A Journey Well Taken: Life After Loss&quot;)under the Basic plan, and I&#039;ve had untold compliments on the way the book turned out. Ron, you should put my book on your display page. I was interviewed by US News and World Report (6/23/08), and the book also just finaled in the USA Book News 2008 National Best Books Award. I tell everyone who worked with me on my book! Elaine Williams</description>
		<content:encoded><![CDATA[<p>Ron&#8217;s team produced my cover and book (&#8220;A Journey Well Taken: Life After Loss&#8221;)under the Basic plan, and I&#8217;ve had untold compliments on the way the book turned out. Ron, you should put my book on your display page. I was interviewed by US News and World Report (6/23/08), and the book also just finaled in the USA Book News 2008 National Best Books Award. I tell everyone who worked with me on my book! Elaine Williams</p>
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		<title>By: Matthew</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-36911</link>
		<dc:creator>Matthew</dc:creator>
		<pubDate>Tue, 18 Nov 2008 00:08:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-36911</guid>
		<description>I met with the publisher of the current #1 NYT bestseller (in paperback trade fiction). He said that the cover of the book is like the curbside appeal of a house. It&#039;s gotta look good. There are tons of books out there. And there are tons of average looking covers. For me, when I publish, I plan on spending $1500 to get a &#039;knock your socks off&#039; cover. Why? Because nobody has heard of me. I don&#039;t have a reputation - yet - as an author. So the only thing I will have going for me is that my book looks incredibly attractive... enough so that someone who has no clue who I am will purchase my book on Amazon and &quot;give me a shot.&quot;

That&#039;s why someone should spend $1500 on a cover. It&#039;s like upgrading your kitchen. You&#039;ll get your money back on resale.

Matt,
  Keep in mind that covers do not sell self-published books... self-publishers sell self-published books. Give me an agressive, confident author with a pleasing cover over the best designed cover in the world and an author who thinks they are going to sit back and watch the cover sell the book.  
Ron</description>
		<content:encoded><![CDATA[<p>I met with the publisher of the current #1 NYT bestseller (in paperback trade fiction). He said that the cover of the book is like the curbside appeal of a house. It&#8217;s gotta look good. There are tons of books out there. And there are tons of average looking covers. For me, when I publish, I plan on spending $1500 to get a &#8216;knock your socks off&#8217; cover. Why? Because nobody has heard of me. I don&#8217;t have a reputation &#8211; yet &#8211; as an author. So the only thing I will have going for me is that my book looks incredibly attractive&#8230; enough so that someone who has no clue who I am will purchase my book on Amazon and &#8220;give me a shot.&#8221;</p>
<p>That&#8217;s why someone should spend $1500 on a cover. It&#8217;s like upgrading your kitchen. You&#8217;ll get your money back on resale.</p>
<p>Matt,<br />
  Keep in mind that covers do not sell self-published books&#8230; self-publishers sell self-published books. Give me an agressive, confident author with a pleasing cover over the best designed cover in the world and an author who thinks they are going to sit back and watch the cover sell the book.<br />
Ron</p>
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		<title>By: Ben</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-36906</link>
		<dc:creator>Ben</dc:creator>
		<pubDate>Mon, 17 Nov 2008 23:19:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-36906</guid>
		<description>Hi, Ron. As a print designer (full-disclosure), I&#039;d like to share my thoughts on this subject. 

The biggest problem I run into is clients who fail to understand the value of a well-designed book. 99% of the public simply does not understand that good design takes time — multiple iterations, talking with the client one-on-one (in person, via telephone, or via email), researching/planning the project (read: book), and understanding the image the client wants to project w/ their book. 

The client (read: author) ends up with a subpar product because they aren&#039;t prepared to make an investment. They see the low price of a template or DIY publishing and are drawn to that. They simply do not have an appreciation for, and subsequently ignore, the value of good design. Good design takes time; not only that, but good design is subtle and covert: 99% of the public simply doesn&#039;t realize good design when they see it, although they are drawn to something that is well designed.

In addition, the cover is but one small part of a book&#039;s design. Sure, we will judge a book by its cover when browsing the shelves at our local retailer. The layout, choice of typefaces, structuring of front matter, etc. — all of these things and more play a part once the customer picks up the book and begins to leaf through it. A beautiful cover will not do you any good if the interior is not well-thought out; likewise, if the cover is not &quot;pretty&quot; then the customer is likely not going to be interested in what&#039;s inside. I can grant that some designers are overpaid or overrated, but I feel like you&#039;re giving good design a bad name, Ron.

Desktop publishing has saturated the market — no one wants to pay for a professionally designed cover anymore when they can take advantage of a $150 template — it&#039;s a buyer&#039;s market for designers, unfortunately. And, unfortunately for enterprising authors, they will too often choose price over value, ending up with a poorly designed book. They won&#039;t understand this on an academic or technical level — but, then again, design (good or bad) is intuitive. There is absolutely a difference between a $150 cover and a $1,500 cover — the difference is subtle, but, if done right, noticeable.

Ben,
   I&#039;ll answer this like I answered an earlier post. First off, 99.9% of the self-published books will not see the shelves of a bookstore and if they do, it will be a few copies places on a shelf spine out.  A self published book is sold by the self-publisher, not by the cover.  The cover can&#039;t be offensive but there is absolutely no reason for a self-publisher to spend a fortune on a great cover design. I&#039;ll put my money on a confident, agressive self-publisher with an OK cover over a self-publisher who thinks that are going to sit back and watch their wonderfully designed cover sell their book.
Ron</description>
		<content:encoded><![CDATA[<p>Hi, Ron. As a print designer (full-disclosure), I&#8217;d like to share my thoughts on this subject. </p>
<p>The biggest problem I run into is clients who fail to understand the value of a well-designed book. 99% of the public simply does not understand that good design takes time — multiple iterations, talking with the client one-on-one (in person, via telephone, or via email), researching/planning the project (read: book), and understanding the image the client wants to project w/ their book. </p>
<p>The client (read: author) ends up with a subpar product because they aren&#8217;t prepared to make an investment. They see the low price of a template or DIY publishing and are drawn to that. They simply do not have an appreciation for, and subsequently ignore, the value of good design. Good design takes time; not only that, but good design is subtle and covert: 99% of the public simply doesn&#8217;t realize good design when they see it, although they are drawn to something that is well designed.</p>
<p>In addition, the cover is but one small part of a book&#8217;s design. Sure, we will judge a book by its cover when browsing the shelves at our local retailer. The layout, choice of typefaces, structuring of front matter, etc. — all of these things and more play a part once the customer picks up the book and begins to leaf through it. A beautiful cover will not do you any good if the interior is not well-thought out; likewise, if the cover is not &#8220;pretty&#8221; then the customer is likely not going to be interested in what&#8217;s inside. I can grant that some designers are overpaid or overrated, but I feel like you&#8217;re giving good design a bad name, Ron.</p>
<p>Desktop publishing has saturated the market — no one wants to pay for a professionally designed cover anymore when they can take advantage of a $150 template — it&#8217;s a buyer&#8217;s market for designers, unfortunately. And, unfortunately for enterprising authors, they will too often choose price over value, ending up with a poorly designed book. They won&#8217;t understand this on an academic or technical level — but, then again, design (good or bad) is intuitive. There is absolutely a difference between a $150 cover and a $1,500 cover — the difference is subtle, but, if done right, noticeable.</p>
<p>Ben,<br />
   I&#8217;ll answer this like I answered an earlier post. First off, 99.9% of the self-published books will not see the shelves of a bookstore and if they do, it will be a few copies places on a shelf spine out.  A self published book is sold by the self-publisher, not by the cover.  The cover can&#8217;t be offensive but there is absolutely no reason for a self-publisher to spend a fortune on a great cover design. I&#8217;ll put my money on a confident, agressive self-publisher with an OK cover over a self-publisher who thinks that are going to sit back and watch their wonderfully designed cover sell their book.<br />
Ron</p>
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		<title>By: Doug</title>
		<link>http://www.publishingbasics.com/2008/11/14/what-is-the-difference-between-a-149-cover-design-and-one-that-costs-1500/comment-page-1/#comment-36893</link>
		<dc:creator>Doug</dc:creator>
		<pubDate>Mon, 17 Nov 2008 21:35:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.publishingbasics.com/?p=513#comment-36893</guid>
		<description>I participate in a couple of self-published author groups, and it seems that covers are a consistent challenge for the determined &quot;do-it-yourselfer&quot; and even for authors who are best buds with a graphic designer who has all the tools.  Some do get it right -- but many eat up a lot of time and money with multiple proofs and trial-and-error corrections in an attempt to get an inexpensive custom cover -- when a Hybrid produced by someone who knows exactly what the printer needs would be much faster, potentially less expensive, far less stressful, and (as you pointed out) ultimately just as effective.</description>
		<content:encoded><![CDATA[<p>I participate in a couple of self-published author groups, and it seems that covers are a consistent challenge for the determined &#8220;do-it-yourselfer&#8221; and even for authors who are best buds with a graphic designer who has all the tools.  Some do get it right &#8212; but many eat up a lot of time and money with multiple proofs and trial-and-error corrections in an attempt to get an inexpensive custom cover &#8212; when a Hybrid produced by someone who knows exactly what the printer needs would be much faster, potentially less expensive, far less stressful, and (as you pointed out) ultimately just as effective.</p>
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